In the first of these, the Contemporary City for Three Million InhabitantsLe Corbusier envisioned a metropolis anchored by a grid of cruciform-plan, curtain-walled skyscrapers, housing office space and residences, set within a park-like setting crisscrossed by a grid of broad avenues.
The wraparound corners of these windows, which emerge from the plane of the rest of the facade, enable one to see through two sides of the structure simultaneously, a feature that prompted architectural critic Reyner Banham to call it the first "Cubist" building.
The three of them also discussed Hitchcock's book about modern art. Although all of the dwellings constructed ended up being far out of the budget of any working-class family, the huge crowds drawn by the exposition did much to promote the International Style.
In Brazil, for example, Lucio Costa and Oscar Niemeyer became some of his closest collaborators, with Costa inviting Le Corbusier to Rio de Janeiro in to oversee the design of the new offices of the Ministry of Education and Health, a skyscraper that demonstrates the Five Points as clearly as any one of Le Corbusier's largest works built before Supported by French industrialists, such as the Voisin car company, and his faith in the Taylorist and Fordist systems of mass-production of consumer goods, Le Corbusier became particularly interested in the adoption of International Style architecture on a vast scale in the aftermath of World War I.
Low-rise apartment blocks set at right angles to each other snaked around the perimeter of the high-rise core.
Mies, for example, was occupied with not only the planning and building of IIT's campus untilbut received the important commissions for the Farnsworth House in Plano, Illinoisthe Lake Shore Drive Apartments in Chicagothe Seagram Building in New Yorkand the development of Lafayette Park in Detroit The three of them toured Europe together in My colleagues and I felt that we offered students a pluralistic and comprehensive review of key developments in the history of the built environment.
Many of the Bauhaus' faculty were supported by the Social Democratic Party in Germany, and the school's various moves and eventual closure were prompted by political antagonism from the right.
His buildings of the s and s clearly showed a change in the style of the architect, but in a different direction than the International Style. The aim of the show was to explain and promote what they considered to be an exemplary "modern" style of architecture.