From an essay on criticism analysis
An ardent judge, who zealous in his trust, With warmth gives sentence, yet is always just; Whose own example strengthens all his laws; And is himself that great sublime he draws.
No place so sacred from such fops is barr'd, Nor is Paul's church more safe than Paul's churchyard: Nay, fly to altars; there they'll talk you dead: For fools rush in where angels fear to tread.
A little learning poem analysis
With mean complacence ne'er betray your trust, Nor be so civil as to prove unjust. Email this page Introduction Alexander Pope, a translator, poet, wit, amateur landscape gardener, and satirist, was born in London in Leave dangerous truths to unsuccessful satires, And flattery to fulsome dedicators, Whom, when they praise, the world believes no more, Than when they promise to give scribbling o'er. When first young Maro in his boundless mind A work t' outlast immortal Rome design'd, Perhaps he seem'd above the critic's law, And but from Nature's fountains scorn'd to draw: But when t' examine ev'ry part he came, Nature and Homer were, he found, the same. But you who seek to give and merit fame, And justly bear a critic's noble name, Be sure your self and your own reach to know, How far your genius, taste, and learning go; Launch not beyond your depth, but be discreet, And mark that point where sense and dulness meet. Then criticism the Muse's handmaid prov'd, To dress her charms, and make her more belov'd; But following wits from that intention stray'd; Who could not win the mistress, woo'd the maid; Against the poets their own arms they turn'd, Sure to hate most the men from whom they learn'd. But in such lays as neither ebb, nor flow, Correctly cold, and regularly low, That shunning faults, one quiet tenour keep; We cannot blame indeed—but we may sleep. Horace still charms with graceful negligence, And without methods talks us into sense, Will, like a friend, familiarly convey The truest notions in the easiest way. Kutlu 4 2. As shades more sweetly recommend the light, So modest plainness sets off sprightly wit. In the way of supporting his view, Pope gives an example and says that when Virgil was creating Aeneid, his great epic, to celebrate the foundation of Rome, first of all he wanted to try his creative genius but failed, then he found both human nature and the rules methodizing nature in Homer and was able to create his great epic poem Kantarcioglu See Dionysius Homer's thoughts refine, And call new beauties forth from ev'ry line! In ev'ry work regard the writer's end, Since none can compass more than they intend; And if the means be just, the conduct true, Applause, in spite of trivial faults, is due. These monsters, critics!
False eloquence, like the prismatic glass, Its gaudy colours spreads on ev'ry place; The face of Nature we no more survey, All glares alike, without distinction gay: But true expression, like th' unchanging sun, Clears, and improves whate'er it shines upon, It gilds all objects, but it alters none.
At length Erasmus, that great, injur'd name, The glory of the priesthood, and the shame!
But most by numbers judge a poet's song; And smooth or rough, with them is right or wrong: In the bright Muse though thousand charms conspire, Her voice is all these tuneful fools admire, Who haunt Parnassus but to please their ear, Not mend their minds; as some to church repair, Not for the doctrine, but the music there.
Pope believes that the value of literary work depends not on its being ancient or modern, but on its being true to Nature. By taking the ideas of classical artists, a critic has to judge the text. Be silent always when you doubt your sense; And speak, though sure, with seeming diffidence: Some positive, persisting fops we know, Who, if once wrong, will needs be always so; But you, with pleasure own your errors past, And make each day a critic on the last.
An essay on criticism gradesaver
Those half-learn'd witlings, num'rous in our isle As half-form'd insects on the banks of Nile; Unfinish'd things, one knows not what to call, Their generation's so equivocal: To tell 'em, would a hundred tongues require, Or one vain wit's, that might a hundred tire. The bookful blockhead, ignorantly read, With loads of learned lumber in his head, With his own tongue still edifies his ears, And always list'ning to himself appears. Related Papers. The following licence of a foreign reign Did all the dregs of bold Socinus drain; Then unbelieving priests reform'd the nation, And taught more pleasant methods of salvation; Where Heav'n's free subjects might their rights dispute, Lest God himself should seem too absolute: Pulpits their sacred satire learned to spare, And Vice admired to find a flatt'rer there! Essay on Criticism. Others for language all their care express, And value books, as women men, for dress: Their praise is still—"the style is excellent": The sense, they humbly take upon content. In words, as fashions, the same rule will hold; Alike fantastic, if too new, or old; Be not the first by whom the new are tried, Not yet the last to lay the old aside.
Style and thought should go together. If wit so much from ign'rance undergo, Ah let not learning too commence its foe!
Alexander pope shmoop
Email this page Introduction Alexander Pope, a translator, poet, wit, amateur landscape gardener, and satirist, was born in London in When first young Maro in his boundless mind A work t' outlast immortal Rome design'd, Perhaps he seem'd above the critic's law, And but from Nature's fountains scorn'd to draw: But when t' examine ev'ry part he came, Nature and Homer were, he found, the same. Pope considers wit as the polished and decorated form of language. This immediately diminishes their education as it does not represent a significant chunk of what there is to be learned and thus they are not fully equipped to be absolute in terms of criticism and adherence to poetic rules. The rules a nation born to serve, obeys, And Boileau still in right of Horace sways. The poem is written in heroic couplets, which just means that each line is written in iambic pentameter. Clearly, the poet must have a strong sense of literary tradition in order to make intelligent judgments as the critic must have it too.
Be thou the first true merit to befriend; His praise is lost, who stays till all commend. John Arbuthnot, and John Gay. With tyranny, then superstition join'd, As that the body, this enslav'd the mind; Much was believ'd, but little understood, And to be dull was constru'd to be good; A second deluge learning thus o'er-run, And the monks finish'd what the Goths begun.
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