An analysis of 1980s films
1980s film history
It was marketed as a fun-filled adventure, but the prospect of sudden death lurked around every booby-trapped corner, and Spielberg also incorporated anxiety about financial security and status that was surely familiar to many older children. These roles are often played by actors who are real martial artists. When Hollywood does take financial and creative risks it can pay off, but Easy A and Super 8 remain the exception. Another factor in the decline of youth films was that visionaries like Zemeckis, Spielberg, Richard Donner, and John Hughes simply aged out of the genre. We want to hear what you think about this article. The papers said it was liver and colon cancer, but it could just as well have been a broken heart. But there have been recent examples proving that modern youth films can thrive.
Voices float unbidden in the air, and boils never looked so glistening. The film was immediately pulled, re-cut and then re-released five months later after being shortened by 70 minutes in - and still failed due to bad press.
Science fiction action[ edit ] Spy film [ edit ] In which the hero is generally a government agent who must take violent action against agents of a rival government or in recent years terrorists.
Later on, we would learn to cuss and curse the infantilization of the American film industry, just like everyone else, but back then we were too busy infantilizing it to notice.
The highly-anticipated Shanghai Surpriseproduced by Handmade Films headed by the Beatles' George Harrisonstarred newlyweds: pop diva singer Madonna and volatile actor Sean Penn. However, fears of the demise of Hollywood proved to be premature. Another factor in the decline of youth films was that visionaries like Zemeckis, Spielberg, Richard Donner, and John Hughes simply aged out of the genre.
The industry continued to pander to the tastes and desires of young people - one of the negative legacies of Star Wars of the late 70s. They show that Allen could take chances with adventurous narrative strategies, while mixing in mordant dialogue, social satire, surprisingly bitter comedy, and earned pathos.
80s film list
Altman moved from Popeye, a sort of anti-musical and anti-comic-book movie, to intimate theatre pieces like Streamers and Secret Honor and Fool for Love. Put aside Raging Bull, which he grants canonical status as the capstone masterwork of the s generation. In neglecting the kinds of youth-oriented films that proliferated in the s, studios may be missing out on a key box-office demographic. In addition, there are always filmmakers whose sensibilities naturally match the demands of big-budget projects: David Lean and Anthony Mann managed it in the s, Spielberg and Lucas in the s. The Goonies had an audacious premise, following a group of pre-teens chasing treasure in a small coastal town while a maniacal Italian family pursued them. In retrospect, many of the blockbusters in the 80s, such as those mentioned above, were well-constructed films with strong characters and plots not entirely built upon their special-effects. He justifies their escapades by treating them as driven artists fighting a corrupt system—mavericks, in fact. Steven Spielberg's and George Lucas' names have often been associated with the term "blockbuster" - and their films inevitably continued to contribute to the trend during this decade, such as The Empire Strikes Back , the great and exhilarating escapist-adventure film Raiders of the Lost Ark , Return of the Jedi , and the childhood fantasy hit E. Yes, he uses the word. Blade Runner, which became as influential as Metropolis and , pushed to an extreme the premise of Alien: The future will be rusty, drippy, and stygian. In between came Goldie Hawn, who gave us Private Benjamin and, mixing it up with Chevy Chase, two trim comedies Foul Play okay, and my own favorite, Seems Like Old Times, a frothy revival of the screwball tradition. Filmmakers could finance projects through video and foreign presales, and investors took chances at many levels. The amount of actual violence is usually limited as the bad guys are thrown aside or knocked by the hilt of the swords and not really killed, except for the lead antagonist.
Blade Runner, which became as influential as Metropolis andpushed to an extreme the premise of Alien: The future will be rusty, drippy, and stygian. Martial arts films contain many characters who are martial artists.
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